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Shania Twain was breaking down the gender barrier back in , and hasn't stopped since. If you ever need to feel like you can take on anything, this is the song for you. Thanks for subscribing! The idea of angry cops interrupting your most intimate moment is the least horny thought in the world — only Maxwell could flip it so effectively into such a sultry challenge. Come Thru by Summer Walker, Usher. On its surface, "Sad! Ski Mask's signature "Water" adlibs are also a nice touch. This girl group reminds us that our friends will always be there to lift us up. He flexes nice vocals and some free-associative bars over an eccentric beat with quirky synths. Worldwide icon-chevron-right North America icon-chevron-right United States icon-chevron-right New York State icon-chevron-right New York icon-chevron-right The best pop songs of all time. Earned It by The Weeknd. XTina's voice is a perfect remedy for anyone dealing with self-doubt and insecurity. Chimamanda Ngozi Adichie.

With malleable vocals, a penchant for experimentation and an undeniably punk aesthetic, the rapper earned a legion of fans before he even turned You know, it really doesn't matter. X flaunted his genre-fluid stylings across several EPs, two albums and a few compilation projects.

On "Look At Me! Through that versatility, X was able to channel feelings like rage, depression and more in whatever musical medium works best for the occasion. For a song like "Save Me," X tackles sparse guitar as he belts out a desperate cry for help. The lack of hard percussion or a pulsating beat gives space for his words to sink in and his voice to linger.

On the other hand, there's the emo-leaning, teen pop tune "Sad! Check out the full spectrum of X releases for yourself below. Teenage antics from X and Ski. One thing about X and Ski Mask collabs is that you can tell they always have a good time. On "What in XXXTarnation," the two deliver threats even as they use over-the-top animated deliveries.

The track feels a lot like the rap version of a fart joke, which was very much in X's wheelhouse when he wanted to let loose. Ski Mask's signature "Water" adlibs are also a nice touch. A lot of times with X, it feels like that's the point. Over solemn piano keys, X reflects on some of his darkest, loneliest moments for a somber cut from his 17 album. He could be referring to his July arrest for aggravated robbery and assault with a deadly weapon, but its unclear.

The pain isn't. X leans hard on his Jamaican roots with the posthumously released "Royalty," a track that merges his talents with those of Vybz Kartel, Stefflon Don and Ky-Mani Marley. X doesn't say much on this one, but he delivers a sweet melody over a bed of light bells for one of the best songs from his posthumously released Skins LP.

Much of Skins is marred by a sense of incompleteness, as it was released posthumously without the rapper's final input. Still, X's lithe, emotive vocals with some swirling synths go a long way to make this one perhaps his best posthumous release. The anime-inspired visual for the track is pretty dope, too. The grouping of artists on this Latin-infused pop release from X, Lil Pump, Maluma and Swae Lee feels like a starter kit for a crossover hit.

Yet it slaps, as X holds down hook duties. He doesn't specify what it's too late for, but you can hear the hope and regret in the tone of his voice. The track acts as a good snapshot of X at his rawest.

The third in the song series, "Alone, Part 3" is a song that deals with the perceived betrayal of an ex-lover and the pain of being in a space where you "can't seem to find someone's shoulder" to lean on. X replaces blown-out bass and screamo with saccharine electropop for a Diplo-produced song that's the exact opposite of "Look At Me! Fans who were new to X got a telling glimpse of his sonic versatility when he released "Revenge," an acoustic ode to his dead friends.

More folk than punk and lightyears away from anything resembling rap, the song features sullen vocals and at least a few Instagram-worthy captions: "Well broken hearts break bones, so break up fast, and I don't wanna let it go, so in my grave i'll rot.

X plays hopscotch with musical genres on his? Yet you get the sense that even he knew "I Don't Even Speak Spanish Lol"—with its literal joke of a title—was completely random. Yet his soft vocals blend with the Latin-inflected beat and make for a summer-ready tune you didn't realize you needed from X. After 17 , glimpses of X's lighthearted side felt more scarce. On "Going Down," he revives the quirky vocal delivery he'd used with Ski Mask in the past and lets loose a few bars about thick chicks there's a notable Lil Yachty name-drop, too.

The upbeat instrumental and a swerving hook make this one go. At the end of the track, though, Travis Barker's drums go crazy, somber singing morphs into guttural screaming and X is bear-hugging it out with his own suffering, the one thing he's sure will never leave him. X serves up his own version of a Christmas tune with "A Ghetto Christmas Carol," a hedonistic track that sounds more like Halloween seance than the stuff of carolers.

X laces the beat with winding yelps as he belts out an ode to thick chicks, flossy whips and money. X usually calls more for distance than a shoulder to lean on, but on "Save Me," a track with stripped-down guitar strums and desperate vocals, he calls out from "the dark side" to see if someone will join him.

X lets loose his emotions on another raging, guitar-fueled ballad about depression. The song is about as straightforward as it gets lyrically, but X and PnB—as well as the dreamy piano—sound great. The song has been certified two-times platinum since it dropped last year. Animated and fun, "Moonlight" is one of the best songs from X's? He flexes nice vocals and some free-associative bars over an eccentric beat with quirky synths. The video for the song was released four months after his death.

X's usual suggestions that things aren't okay still slide into the track, but the hook and his emotive bursts of singing—more like cries—manage to make the song feel like a cathartic release for someone who's found a way to look toward a better future. Roach" marries X's screamo leanings and knack for mayhem with Ski Mask's laidback style and quirky punchlines.

A screaming X evokes mania and danger with his opening bars: "Cocaine for my breakfast, hold that pistol ambidextrous. The two performed the track at Rolling Loud Miami about a month before X was shot and killed. Whether it was folk, EDM, boom-bap or anything in between, X could do it all. Feeding off an energetic verse from Joey, X cuts through the saxophone with an unpredictable rhyme scheme. Another Potsu-produced gem, "Everybody Dies in Their Nightmares" finds X once again reflecting on his suicidal thoughts.

This time, he spits rapid-fire bars that mirror racing thoughts on an instrumental that feels like a quiet space to think them. X's monotonous delivery underscores his underlying acceptance of his own doom. The beat is a tweaked version of Potsu's "I'm Closing My Eyes," a song with whisper-like Shiloh vocals that evoke longing as they melt into subdued percussion.

The song, which is named after X's friend who committed suicide just hours after spending time with the rapper in May , vacillates between what X wishes could be and what he knows is the reality of a life marred by trauma.

The split is signified by the rapper's switch from singing to rapping. The Ronny J and Jimmy Duval-produced song, which was released at the end of , finds X spitting a pulsating verse with spastic vocal inflections that mirror the blown-out instrumental he's rapping over.

He combines that panicky, anxiety-laden delivery with lyrics that manage to be nearly as funny as they are gruesome—at one point, X compares himself to High School Musical star Corbin Bleu. It's not his most commercially successful song, but it's the one that put him on the path to stardom. Aiding its rise in popularity was a belief that Drake had used his flow for his own track, "KMT. A little over a year after dropping "Look At Me!

Released just months before his passing, "Sad! On its surface, "Sad! While troubling—he suggests he'll kill himself if his partner decides to leave him—the song meshes pop sensibilities with damaged logic and emotional honesty in a seamless manner with a smooth vocal style that could have propelled him to Billboard chart dominance. While the song had been a huge success before he passed, it reached a new level after his death, breaking Taylor Swift's single-day Spotify streaming record and landing at No.

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The idea of angry cops interrupting your most intimate moment is the least horny thought in the world — only Maxwell could flip it so effectively into such a sultry challenge.

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My first girlfriend printed out the lyrics to this song and gave them to me in junior high. Doing it to this song. Winter The Now Issue. Music Style Culture Video. Twitter facebook youtube instagram.

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